Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

Rapper Yung Filly Denies Sexual Assault Allegations During Trial in Western Australia District Court
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Rapper Yung Filly Denies Sexual Assault Allegations During Trial in Western Australia District Court

Andres Felipe Valencia Barrientos, the prominent UK-based rapper and social media influencer known as Yung Filly, has taken the stand in a Western Australia court to testify against allegations of sexual assault. Facing multiple charges including sexual penetration without consent and assault, the 29-year-old performer is on trial for an incident that allegedly occurred in late 2024. The case has captivated his millions of followers worldwide as the District Court of Western Australia examines the serious criminal charges brought against him. During his testimony, Barrientos detailed the events leading up to the encounter with the complainant, a woman who was 20 years old at the time. He described their initial interactions as positive, stating that the "vibes were good" between them. While the prosecution alleges that the rapper forced himself upon the woman and committed physical assault, Barrientos firmly denied these claims. He asserted that while he did interact with the woman at his hotel following a nightclub appearance in Perth, no inappropriate or non-consensual behavior took place. The defense team has focused on portraying the rapper as a cooperative individual who engaged in a consensual social encounter, whereas the prosecution has presented evidence suggesting a lack of consent and a violation of the victim's physical autonomy. Barrientos, who rose to fame through YouTube and later successful music and television careers, has maintained a consistent plea of not guilty since the charges were first filed. His testimony is a critical component of the defense strategy, aiming to counter the prosecution's narrative of the night's events through his own firsthand account. As the trial proceeds in Perth, the entertainment industry and the public are closely watching the developments, given Barrientos's status as a major figure in digital media and music. The court is expected to hear further testimonies and review forensic evidence before reaching a verdict. Regardless of the legal outcome, the case highlights the ongoing scrutiny of high-profile personalities and the legal complexities surrounding sexual consent and accountability in high-pressure social environments.

Who is David Jonsson? Meet the British actor cast as the new Black Panther
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British Actor David Jonsson to Succeed Chadwick Boseman as New Black Panther in Marvel's Upcoming Sequel

British actor David Jonsson has been officially cast as the next Black Panther in the Marvel Cinematic Universe (MCU), taking on the mantle of the legendary Wakandan protector. The announcement was made by director Ryan Coogler during a presentation at Comic-Con International, where it was revealed that Jonsson will portray the adult version of T'Challa's son. This casting confirms that the franchise will continue to honor the legacy of the late King T'Challa while moving the narrative forward into a new era. The character was first introduced as a young child named Toussaint at the conclusion of 'Black Panther: Wakanda Forever,' and Jonsson’s casting suggests a significant narrative development for the upcoming third installment. Jonsson, who has risen to prominence through his standout roles in the critically acclaimed series 'Industry' and the sci-fi horror hit 'Alien: Romulus,' expressed deep humility and excitement about joining the MCU. 'I am incredibly honored to be part of this story,' the actor remarked, acknowledging the weight of the role. Director Ryan Coogler emphasized that 'Black Panther III' will be a direct continuation of the emotional journey started in the previous films, focusing on the evolution of the royal bloodline and the future of Wakanda. The choice of Jonsson reflects Marvel’s commitment to casting versatile talent capable of carrying the complex emotional and physical demands of the Black Panther persona. The news has resonated strongly with audiences globally and in Ghana, where the Black Panther franchise has been celebrated for its profound representation of African identity and pan-Africanist themes. Since the passing of Chadwick Boseman, fans have speculated about how the series would handle the T'Challa legacy. While Letitia Wright’s Shuri took up the mantle in the second film, Jonsson’s introduction as T’Challa’s grown-up son provides a long-term path for the character’s lineage. This development is seen as a strategic move to maintain the cultural impact of the series while exploring new cinematic territory. As the Marvel Cinematic Universe continues to expand its roster of heroes, the return to Wakanda remains one of the most anticipated projects on its slate. 'Black Panther III' is currently scheduled for a theatrical release on December 15, 2028. Fans and industry analysts alike are looking forward to seeing how Jonsson’s portrayal will bridge the gap between the beloved past and the promising future of the franchise. Further details regarding the plot and additional cast members are expected to be released as production progresses toward the 2028 date.

Musician Choirmaster Returns to Accra for Wife Beverly Afaglo's Funeral Amid Emotional Airport Reception
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Musician Choirmaster Returns to Accra for Wife Beverly Afaglo's Funeral Amid Emotional Airport Reception

Ghanaian musician Choirmaster, a prominent member of the music group Praye, arrived at the Kotoka International Airport in Accra on July 28, 2026, under heavy emotional strain. Returning from the United States, his homecoming was marked by profound grief as he prepares for the final funeral rites of his late wife, the celebrated actress Beverly Afaglo. The musician was visibly distraught upon his arrival, a moment that has resonated deeply across the Ghanaian entertainment industry and among fans who have followed the couple's journey. Footage capturing the arrival shows Choirmaster, born Eugene Baah, being consoled by a contingent of close friends and colleagues from the music scene who gathered to offer their strength. Among those present to provide immediate support were his long-time group mate Praye Tiatia and the rapper Dr Cryme. The video, which has since circulated widely on social media, depicts an emotional scene where the artist breaks down in tears, overwhelmed by the somber reality of his return to Ghana for such a tragic purpose. The passing of Beverly Afaglo has elicited a massive wave of condolences from industry peers and the public alike, reflecting her significant impact on the Ghanaian film and media landscape. As the family moves forward with the burial preparations, the presence of high-profile entertainers at the airport underscores the deep sense of solidarity within the creative community during times of bereavement. Further details regarding the specific funeral arrangements are expected to be communicated by the family as they and the entertainment fraternity prepare to bid a final farewell to the beloved actress.

‘Who Naija language help?’ Peter P-Square asks critics questioning his children’s French fluency
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Larruso Credits Accra New Town Roots While Ras Kuuku Defends Payola Amid Fresh West African Musical Releases

Ghanaian entertainment news this week is marked by a blend of artistic reflections and candid social media revelations. Afro-Dancehall sensation Larruso has publicly credited his upbringing in Accra New Town for the resilience and authenticity that define his career following his breakout success with "Killy Killy." Larruso emphasized the importance of discipline and consistency for young artists looking to build a lasting presence in the industry. Meanwhile, the Ghanaian music scene faces a renewed debate on "payola," as Reggae-Dancehall artist Ras Kuuku argued that financial incentives provided to DJs and media personalities should be viewed as a gesture of appreciation rather than bribery, a stance that challenges traditional industry ethics and transparency standards. The creative sector continues to expand with new projects emphasizing hope and spiritual perseverance. The Hope City Church (HCC) Music Team has launched "The Hope Project," a five-track live EP featuring songs such as "Holy Spirit Move" and "My Anchor" to inspire faith during uncertain times. Similarly, Nigerian Afro-fusion artist Inspiraystonner unveiled "The Journey," a seven-track EP that explores survival and ambition through a blend of Afrobeats, street-hop, and Yoruba storytelling. Beyond music, literature and spirituality intersected as Prophet Eric K. Owusu, founder of United Worship Cathedral, launched his book "Prayer Changes Everything: Spiritual Keys to Unlock Your Answers" in the USA, documenting his personal journey and advocating for a relentless prayer life. In the digital and personal space, transparency has been at the forefront of recent headlines involving high-profile personalities. TikTok creator and entrepreneur Asantewaa addressed rumors regarding her split from musician AMG Amarni, clarifying that while Amarni was ready for marriage, she was not yet prepared for that level of commitment, refuting claims of heartbreak. This honesty follows a startling confession from internet personality Adwoa Pretty, who revealed on The Delay Show that a viral $10,000 gift she presented to Abena Payola at a shop opening in September 2025 was actually a staged publicity stunt designed to generate social media buzz, admitting she retrieved the money once the cameras were off. Furthering the conversation on identity and personal choice, Nigerian star Peter Okoye (Mr P) of P-Square fame has defended his decision to raise his children with French fluency instead of indigenous Nigerian languages. Responding to social media criticism regarding his children’s lack of Igbo proficiency, Okoye asserted that language choices are personal and questioned the practical benefits critics associate with indigenous languages in a globalized world. Collectively, these stories highlight a period of introspection and strategic branding within the West African entertainment landscape, where artists and influencers are increasingly shaping their narratives around personal authenticity and professional survival.

Family and Associates Call for Peace and Reconciliation Between Late Daddy Lumba’s Wives
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Family and Associates Call for Peace and Reconciliation Between Late Daddy Lumba’s Wives

One year after the passing of highlife icon Daddy Lumba, family members and close associates are making urgent appeals for peace between his wives. Following a successful one-year remembrance ceremony in July 2026, the discourse has shifted from mourning to the resolution of internal family disputes that have recently surfaced. Kofi Owusu, the Abusuapanyin (family head), and Mama Acheampong, Lumba’s long-time music teacher, have both voiced their concerns, emphasizing that the current friction contradicts the peaceful nature of the legendary musician. During a media interaction on July 27, 2026, Mama Acheampong delivered an emotional message to the late musician, invoking his spirit to intervene in the marital discord. She portrayed Daddy Lumba as a man who consistently avoided conflict throughout his life and career. Her plea—"If ghosts truly exist, wake up and settle the issues between your wives"—reflects the deep concern among those who knew him personally, fearing that the ongoing disagreements may tarnish the memory of a man who lived his life in relative tranquility. Reinforcing this call for stability, Abusuapanyin Kofi Owusu highlighted the importance of harmony in the wake of the remembrance event. He stressed that while family members may face personal challenges, public disputes must end to ensure the late musician is honored properly. Owusu expressed his commitment to supporting both women if they can find common ground and unite, noting that reconciliation is the only way to effectively preserve Daddy Lumba's immense cultural legacy for future generations. As the family navigates this sensitive period, the calls for peace serve as a reminder of the complex personal lives often behind public figures. The resolution of these issues remains critical for the family’s privacy and the protection of the Ghanaian icon’s brand. For now, the public and Lumba’s dedicated fanbase look to the family leadership to foster the unity necessary to keep his musical heritage untainted by domestic strife.

Stonebwoy Condemns 'Calculated Cruelty' of Bullying Over His Physical Condition
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Stonebwoy Condemns 'Calculated Cruelty' of Bullying Over His Physical Condition

Ghanaian Dancehall and Afrobeats sensation Stonebwoy has voiced his strong disapproval of the persistent bullying he faces regarding his physical condition. In a candid interview with BBC Africa’s DJ Adu, the multiple award-winning artist addressed the derogatory labels used against him by detractors in the public eye and across social media. He characterized these taunts as a form of "calculated cruelty" designed to undermine his achievements and personal confidence, yet he maintained that such behavior ultimately speaks volumes about the character and mindset of those hurling the insults rather than himself. During the discussion, Stonebwoy emphasized that being called a "cripple" or being mocked for his physical state is a clear indication that the aggressor is "not in the right frame of mind." The artist, who has long been a prominent figure in the global music scene, suggested that these attacks are often strategic moves by opponents within the industry to trigger a negative reaction or to distract from his musical successes. By choosing to frame these insults as a reflection of the attacker's own psychological state, Stonebwoy is effectively shifting the narrative from one of victimhood to one of resilience and mental strength. This public stance comes at a time when digital bullying and ableism remain significant challenges within the global entertainment industry. Stonebwoy’s decision to address these issues on a platform as influential as BBC Africa highlights the emotional toll that public figures often endure behind the scenes. By speaking out, the artist not only defends his personal dignity but also encourages a broader conversation about empathy and respect within the Ghanaian music community. His comments serve as a reminder that professional rivalry should never descend into personal degradation or the exploitation of physical disabilities.

Universal Pictures Christopher Nolan in the centre of the photo and is looking through an Imax camera. He is wearing a black jacket.
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Academic Emily Wilson Criticizes Sir Christopher Nolan’s ‘The Odyssey’ Adaptation Despite Box Office Success

Sir Christopher Nolan’s latest cinematic venture, "The Odyssey," has found itself at the center of a scholarly debate following a scathing review by renowned academic Emily Wilson. Despite the film achieving significant box office success and being hailed by some critics as a potential "film of the year," Wilson—whose celebrated 2017 translation of Homer’s epic poem influenced the production—has publicly expressed her profound discontent with the adaptation. Released earlier this month with a star-studded cast led by Matt Damon, the film follows the legendary journey of Odysseus as he attempts to return home following the Trojan War. Writing in the London Review of Books, Wilson provided a detailed critique of Nolan’s creative choices, specifically targeting what she described as a "gimmicky" narrative structure. She argued that the production lacked the character depth necessary to do justice to the original text, expressing disappointment that the cinematic experience did not match the profound themes of the source material. While Nolan is known for his complex, non-linear storytelling, Wilson suggested that these stylistic hallmarks may have come at the expense of the story's emotional and intellectual core. Her assessment stands in sharp contrast to the general critical consensus, which has largely praised the film’s technical ambition and grand scale. Despite her sharp criticisms, Wilson did acknowledge one positive outcome of the blockbuster: it has successfully reignited public interest in classical literature and ancient Greek epics. However, she maintained that the film fell short of being the definitive adaptation she had envisioned. As "The Odyssey" continues its strong performance in theaters worldwide, the tension between Wilson’s academic perspective and the film’s commercial popularity highlights the ongoing challenges of adapting ancient, complex narratives for a modern global audience. The film remains a major talking point in both cinematic and literary circles as it heads into the heart of the awards season.

Getty Images Ariana Grande sings for a child wearing a witch's hat, during a live performance of music from the movie / musical Wicked
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Ariana Grande Files Lawsuit Against Anonymous Hackers Over Dark Web Sale of Unreleased Music

Global pop sensation Ariana Grande has initiated legal proceedings in Los Angeles against two unidentified hackers, alleging a systematic campaign to steal and profit from her intellectual property. The lawsuit claims the individuals breached the digital security of her close collaborators, including producers and photographers, to gain access to unreleased tracks and private studio footage. This legal action comes at a critical juncture for the artist, who is currently navigating a world tour while preparing for the imminent launch of her eighth studio album. According to court documents, the scale of the theft is significant, with 45 of Grande's unreleased songs allegedly compromised and sold on the dark web for substantial sums in 2023 alone. The legal team representing the singer suggests this is part of a long-standing pattern of cyber-exploitation that has plagued her career since her debut in 2011. By filing the suit, Grande aims to unmask the anonymous perpetrators and hold them accountable for what she describes as a violation of her privacy and a disruption to her professional life. The lawsuit specifically cites violations of California computer hacking laws and an invasion of privacy, arguing that the leaks have caused profound harm to her career and her relationship with her audience. Grande has previously voiced her frustration regarding music leaks, which often force artists to adjust release schedules and compromise the artistic integrity of their projects. Her legal representatives are seeking both the identification of the hackers and damages for the systematic targeting of her associates' devices over several years. This legal battle coincides with the release of her new album, "Petal," scheduled for this Friday, and her ongoing world tour, which is set to reach the United Kingdom in August. As Grande hints that this may be her last major tour for some time, the lawsuit underscores the growing challenges high-profile artists face in securing their creative work in the digital age. The outcome of the case could set a significant precedent for how the music industry handles the unauthorized distribution of stolen content on the dark web.

Gospel legends Tagoe Sisters turn 60
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Richard Mofe-Damijo and Tagoe Sisters Reflect on Longevity and Gratitude as They Celebrate Major Life Milestones

The West African entertainment landscape has been filled with reflections on life and legacy as veteran Nollywood actor Richard Mofe-Damijo (RMD) and Ghanaian gospel legends, the Tagoe Sisters, celebrate significant age milestones. RMD, speaking during a recent interview on "The Morayo Show," expressed a profound sense of gratitude as he navigates life at 65. The actor revealed that he considers himself to be living on "extra time," a sentiment rooted in the fact that neither of his parents lived to see their 60th birthday. This personal history has shaped his outlook, leading him to embrace every day with gratitude rather than fear. During his interview, RMD provided insights into how he maintains his vitality and youthful spirit despite his years. He attributed his physical fitness and energy to a disciplined regimen of healthy eating and regular exercise. Beyond his physical health, RMD is known for his sharp fashion sense, which he uses as a tool to defy traditional aging norms. He humorously noted that while his eldest son occasionally reacts with disbelief at his trendy style choices, he remains committed to a classy, modern wardrobe that reflects his inner vitality and refusal to let a number define his persona. In a parallel celebration of longevity within the Ghanaian music industry, the iconic Tagoe Sisters recently marked their 60th birthday. The duo, renowned for their powerful harmonies and decades of ministry, took to social media to share their milestone with fans and colleagues. They expressed deep appreciation for God’s faithfulness throughout their six decades of life, reflecting on a career that has produced timeless gospel classics such as "Osombo" and "Menya Yesu." Their birthday was met with an outpouring of goodwill from the public, underscoring their enduring influence on the gospel scene in Ghana and beyond. These celebrations highlight a broader theme of resilience and purpose among veteran entertainers in the region. Both RMD and the Tagoe Sisters have used their platforms to emphasize that aging is a journey of grace and continued contribution. While RMD focuses on the importance of self-employment and maintaining a youthful spirit in a changing world, the Tagoe Sisters continue to inspire through their commitment to their ministry. Together, these icons serve as a testament to the impact of long-term dedication in the arts, proving that milestones are not just markers of time, but opportunities to inspire the next generation.

One Woman, No Trust; Two Wives, Peace — Shatta Wale
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Shatta Wale Opens Up on Polygamous Marriage, Industry Rifts, and Media Interference

Ghanaian dancehall icon Shatta Wale has provided a rare glimpse into his personal life and the complexities of his career, revealing that he is currently in a polygamous marriage with two wives. Speaking on 'The Honest Bunch' podcast, the 'On God' hitmaker explained that his decision to have two partners stems from a history of trust issues in previous monogamous relationships. According to the artist, his current arrangement is built on mutual understanding and transparency, noting that both women are aware of each other and coexist peacefully. Shatta Wale emphasized that this new foundation has created a conflict-free environment that has positively influenced his well-being, even sharing that he and his partners engage in prayer together after intimate moments. Beyond his domestic life, the artist addressed the long-standing tensions within the Ghanaian music industry, specifically blaming the media for fueling rivalries. Shatta Wale claimed that the media's portrayal of Stonebwoy as 'superior' after his rise to fame significantly damaged their once-close bond. He recalled a time when Stonebwoy affectionately referred to him as 'daddy' and they collaborated frequently. The dancehall star suggested that similar media tactics have been used to create artificial divisions between him and other prominent artists, including Samini, Sarkodie, and Black Sherif, often portraying him in a negative light to generate controversy. Shatta Wale also took the opportunity to clarify the breakdown of his friendship with Nigerian superstar Burna Boy. He attributed the rift to the interference of former associates who allegedly spread false rumors to the 'Last Last' singer, claiming that Shatta Wale had been involved with Burna Boy's girlfriend. This misinformation, according to the artist, led to a total breakdown in communication between the two. By sharing these details, Shatta Wale aimed to highlight how external influences—whether from the media or 'saboteurs' within his inner circle—have historically sabotaged his professional relationships and personal reputation. As Shatta Wale continues to navigate his career under the current administration of President John Mahama, these revelations offer a candid look at the man behind the public persona. His shift toward a polygamous lifestyle and his critique of media narratives suggest a desire for more control over his own story and personal peace. Whether these disclosures will lead to any reconciliations within the industry remains to be seen, but they reinforce Shatta Wale's reputation as one of Ghana's most outspoken and unconventional public figures.

Gayina’s Pound of Flesh at National Theatre in August
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Shakespeare’s Merchant of Venice Reimagined: Gayina’s Pound of Flesh Hits National Theatre in August

The National Theatre of Ghana is set to host a groundbreaking theatrical production this August as Image Bureau and April Communications present "Gayina’s Pound of Flesh." This original African adaptation of William Shakespeare’s "The Merchant of Venice" is scheduled for a two-weekend run on August 1-2 and August 8-9, 2026. By bringing a global literary classic into a local context, the production aims to engage Ghanaian audiences with a story that resonates deeply with contemporary societal issues and cultural nuances. Set in the vibrant city of Kumasi, the play reimagines the iconic story through the lens of Efo Gayina, a moneylender who has endured persistent societal mockery and marginalization. When a loan is requested, Gayina proposes a shocking and unconventional condition that drives the narrative toward a tense climax. This localization allows the production to explore the dynamics of Kumasi's trade and social structures, providing a familiar backdrop for the high-stakes drama that unfolds between the protagonist and his debtors. Beyond its plot, "Gayina’s Pound of Flesh" delves into heavy themes of religious intolerance, revenge, justice, and the power of forgiveness. The producers have noted that this version diverges from traditional portrayals of the Shakespearean original, choosing instead to emphasize the multifaceted nature of human relationships and the pervasive impact of societal prejudices. By humanizing the protagonist and contextualizing his motivations within a Ghanaian framework, the play challenges the audience to reconsider their views on morality and legalism. As the arts scene in Accra continues to flourish, this collaboration between Image Bureau and April Communications represents a significant contribution to the country's cultural landscape. Theatre enthusiasts and students of literature are expected to flock to the National Theatre for what promises to be a masterclass in adaptation and performance. The production not only honors the source material but also asserts the relevance of African storytelling in reinterpreting universal truths for a modern audience.

Jail Time Records: How Music is Transforming Inmates at Cameroon's Notorious New Bell Prison
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Jail Time Records: How Music is Transforming Inmates at Cameroon's Notorious New Bell Prison

In the heart of Douala, Cameroon, the notorious New Bell Prison is gaining international attention not for its harsh conditions, but for a revolutionary musical movement. Jail Time Records, an independent music label operating within the prison’s walls, has successfully turned the chaotic and overcrowded environment into a vibrant hub of creativity. By providing inmates with the tools to write, record, and produce music, the label is amplifying voices that were previously silenced, creating a global buzz that transcends the physical boundaries of the correctional facility. The initiative was co-founded by Steve Happi, a former inmate who understands firsthand the psychological toll of incarceration. Happi emphasizes that music offers a profound sense of liberation, allowing prisoners to experience a form of freedom that the legal system cannot take away. This journey has been meticulously documented over the course of six years in a film that recently garnered significant critical acclaim, including three prestigious awards at the Tribeca Film Festival. The documentary highlights the raw talent emerging from the cells, showcasing how tracks recorded inside the prison are now resonating with audiences worldwide. Despite the artistic triumphs, the reality of New Bell Prison remains stark. The facility is plagued by rampant overcrowding and frequent violence, making the success of Jail Time Records even more remarkable. For many inmates, the label serves as a critical lifeline and a path toward rehabilitation and self-discovery. By focusing on professional development and artistic expression, the project provides a constructive alternative to the daily struggles of prison life. Looking ahead, the founders plan to expand the reach of Jail Time Records beyond Cameroon, aiming to implement similar rehabilitative music programs in other correctional facilities across the region and beyond.