Entertainment & Celebrity

Fiifi Coleman: Latest News & Updates

Follow the latest on Fiifi Coleman, the Ghanaian actor and playwright known for his stage and screen work. This hub gathers our newest reporting on his roles, productions, and public appearances. Showbiz coverage moves quickly, so we keep this page current as new stories are published. The latest reports appear below, newest first.

Fiifi Coleman to Film ‘I Told You So’ Adaptation as Cyril Hadzi and Hunnyboy Reveal New Musical Projects
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Fiifi Coleman to Film ‘I Told You So’ Adaptation as Cyril Hadzi and Hunnyboy Reveal New Musical Projects

The Ghanaian creative industry is experiencing a surge of activity across the film and music sectors, led by significant announcements from Fiifi Coleman Productions and prominent musical artists. Renowned director Fiifi Coleman has officially announced plans to transition the classic play 'I Told You So' into a feature film. This decision follows a highly successful series of stage performances in Accra, Takoradi, and Cape Coast. The production serves as a modern repackaging of the legendary work by Bob Cole, which was first adapted for cinema in 1970. The new film will explore timeless themes of family, greed, and morality, centering on the character Rosina and her involvement in a questionable marriage proposal. Coleman noted that the cinematic version will feature a fresh cast to distinguish it from the live theater experience. In the music scene, gospel worship leader Cyril Hadzi and Afro-fusion artiste Hunnyboy are both preparing for major releases that aim to engage their audiences in different ways. Hadzi, recognized for his 'presence-centered' worship style and previous works like 'The Arise Project' and 'Mighty Man of War,' has announced a new project intended to deepen the spiritual journey of his followers. While a specific title and release date remain pending, Hadzi continues to build anticipation through live worship sessions and devotionals, viewing his music as an essential ministry tool for spiritual upliftment. Simultaneously, Afro-fusion artist Edward Tagoe, known professionally as Hunnyboy, has launched a community music tour to promote his upcoming debut album. The artist, who gained national attention through his collaboration with Shatta Wale on the track 'Winning,' recently engaged with fans and traditional leaders through a community float to seek blessings for his new work. His next single, 'Peace of Mind,' is described as a reflection of his artistic maturity, focusing on themes of personal growth and mental well-being. This grassroots approach to promotion highlights a growing trend among Ghanaian artists to reconnect with their local fanbases ahead of major commercial releases. These diverse projects collectively highlight the vibrancy of Ghana’s contemporary arts landscape, ranging from the preservation of theatrical heritage to the evolution of modern gospel and Afro-fusion sounds. As Fiifi Coleman moves into production and both Hadzi and Hunnyboy finalize their recordings, the coming months are set to provide a rich variety of content for Ghanaian audiences. These developments not only offer entertainment but also address deeper social and spiritual themes, reinforcing the role of the arts in national discourse and personal development.

Ghanaian Arts and Culture Shine: From Royal Performances in Eswatini to High-Stakes Gold Auctions at Manhyia
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Ghanaian Arts and Culture Shine: From Royal Performances in Eswatini to High-Stakes Gold Auctions at Manhyia

Ghanaian arts and culture have taken center stage both locally and internationally, marked by high-profile performances and significant cultural milestones. Ghanaian eco-artist Sharon Dede Padi, popularly known as Padiki, recently made headlines with a live painting performance for King Mswati III of Eswatini during his 58th birthday and 40th anniversary on the throne. Her work, titled "Two Kingdoms, One Africa," utilized leaves from both Ghana and Eswatini to symbolize continental unity and leadership. This international feat coincides with a major domestic celebration at the Manhyia Palace, where the Otumfuo Commemorative Artworks were auctioned to mark the 27th anniversary of Otumfuo on the Golden Stool. Businessman Nick Danso Adjei made a significant purchase, acquiring a 27-ounce gold piece for GH"1.7 million, while other notable figures such as Angela List and James Osei Brown secured 14-ounce versions for GH"1 million each. In the realm of performing arts and tourism, the Ghanaian creative scene continues to thrive with the return of Fiifi Coleman’s acclaimed play, "I Told You So," to the National Theatre on May 1. Following a successful initial run, the play returns by popular demand with a cast featuring veterans like Fred Amugi and Gyedu-Blay Ambolley, exploring themes of tradition versus modernity. Simultaneously, the "Accra By Night" tour celebrated its one-year anniversary with a vibrant cultural celebration at the Accra Tourism Information Centre. The event, which included an impromptu performance by musician MzBel, highlighted the growing popularity of nightlife tourism in the capital, supported by the Ghana Tourism Development Company and the Graphic Communications Group Ltd. Looking ahead, the recognition of Ghanaian leadership remains a priority as Glitz Africa announces the 2026 Ghana Women of the Year Honours. Set for May 8 at the Kempinski Hotel in Accra, the 11th edition of the awards will honor outstanding women across twelve categories, with Rev. Dr. Joyce Aryee slated to receive the Lifetime Achievement Award for her extensive contributions to public service and ministry. On the global stage, the art world was further stirred by street artist Banksy, who confirmed his authorship of a new statue in central London’s Waterloo Place. The installation, depicting a man with a flag-obscured face, has sparked dialogue on nationalism and imperialism, mirroring the power of art to engage with complex political identities across the globe. These diverse events underscore a vibrant period for the Ghanaian creative economy and its influence abroad. Whether through royal commissions in Eswatini, record-breaking art auctions in Kumasi, or the celebration of trailblazing women in Accra, the narrative of Ghanaian excellence continues to expand. As these cultural initiatives move forward, they not only preserve heritage but also provide a platform for contemporary artists and leaders to shape the future of African identity on the global stage.

Ghana’s Cultural Renaissance: National Theatre Unveils 2030 Vision Amidst Heritage Revivals and Industry Milestones
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Ghana’s Cultural Renaissance: National Theatre Unveils 2030 Vision Amidst Heritage Revivals and Industry Milestones

Ghana’s creative and cultural landscape is poised for a significant transformation following the launch of the National Theatre’s ambitious five-year strategic plan for 2026–2030. The roadmap, unveiled with the support of the Ministry of Tourism, Culture and Creative Arts, prioritizes digital innovation, financial sustainability, and the preservation of Ghana's rich heritage. Central to this vision is the "Stages of Possibility" global fundraising initiative, designed to bolster infrastructure and fund outreach. Key projects under the plan include the establishment of a National Theatre Academy for talent incubation and the adoption of green production practices, aiming to position the institution as a modernized, inclusive hub for the creative economy. Complementing these institutional shifts is a renewed focus on cinematic and theatrical heritage. Renowned actor and director Fiifi Coleman has announced a remake of the 1970 classic film "I Told You So," scheduled for release in March 2027 to coincide with Ghana’s 70th independence anniversary. Originally directed by Egbert Adjesu, the film is celebrated for its poignant social commentary. To build momentum, a stage version embracing the traditional "concert party" style is currently touring the country, with recent performances in Kumasi offering a bridge between the historical significance of the original work and the appreciation of a new generation. The momentum within the creative sector is further evidenced by the recognition of professional excellence and community engagement. Women in PR Ghana (WiPR) recently unveiled its "Top 10 Women in PR" for 2025, celebrating its ninth year of honoring leaders like Ivy Heward-Mills and Asiedua Addae. This initiative highlights the growing influence of women in shaping communication and mentorship within the industry. Simultaneously, the success of grassroots events like IndomieFest Accra 2026 demonstrates the vibrant appetite for family-oriented cultural celebrations, combining music and community bonding. These diverse developments—from strategic institutional planning at the National Theatre to the celebration of individual talent and classic revivals—signal a robust future for Ghana’s cultural sector. By fostering partnerships and embracing digital transformation, the industry is set to increase sustainability, boost tourism, and showcase Ghana’s cultural heritage more effectively on the global stage. Stakeholders remain optimistic that these initiatives will create jobs and foster long-term growth within the creative economy.

Ghana Celebrates Heritage and Culture Amid Calls for Structural Reform in the Creative Arts Sector
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Ghana Celebrates Heritage and Culture Amid Calls for Structural Reform in the Creative Arts Sector

As Ghana observes its cultural month in March 2026, the nation's entertainment and creative sectors are buzzing with a mix of high-profile heritage celebrations and critical calls for institutional reform. Key events include the 'Back to Your Village' Food Festival, scheduled for March 28–29 at the Efua Sutherland Children’s Park, which aims to reconnect Ghanaians with their roots through traditional cuisine and authentic village experiences. Simultaneously, Richmond American University London is partnering with alumna Amma Prempeh for a global livestream from the Bonwire Kente Weaving Centre on March 30. This event will showcase the intricate craftsmanship of Kente—recently inscribed by UNESCO as part of the Intangible Cultural Heritage of Humanity—and feature documentary excerpts alongside cultural performances by local students. While heritage is being celebrated through festivals and digital platforms, industry stakeholders are advocating for deeper integration of traditional arts into modern corporate environments. Experts in Ho are urging corporate bodies to showcase the Agbadza dance during official events to boost tourism and provide economic opportunities for local performers. Advocates like Mr. Roland Mensah and Mr. Franklin Krelov argue that centering indigenous culture in professional settings helps counter the dominance of foreign entertainment and appeals to tourists seeking authentic Ghanaian experiences. This push for cultural visibility is seen as a vital step toward national development and the sustainability of traditional art forms. However, these celebrations are tempered by ongoing concerns regarding the infrastructure of Ghana's creative industry. The National Theatre of Ghana has come under fire during the launch of its 2026-2030 strategic plan, 'Arts Accessible Everywhere for Everyone.' Stakeholders, including prominent actor Fiifi Coleman, have expressed skepticism about the plan's feasibility, citing historical operational failures, inadequate technical facilities, and the unfair burden placed on producers to provide basic equipment. Despite the Board Chair's commitment to rebuilding trust, the industry remains vocal about the need for the National Theatre to address fundamental basics before expanding its scope. On the international front, the entertainment landscape is also preparing for a significant transition as the Academy Awards (Oscars) prepares to move from Hollywood's Dolby Theatre to the Peacock Theater in Los Angeles by 2029. This shift, which coincides with a move to streaming on YouTube, reflects a broader global trend toward digital accessibility in the arts—a trend mirrored by Ghana's own efforts to livestream its cultural treasures to the world. Together, these local and international developments highlight a period of transformation, where the preservation of identity and the modernization of infrastructure remain the top priorities for the entertainment industry.